Creative · All levels
New workshops every week, a large archive of recorded lessons and a set of full courses, from first pencil lines to oil portraits.

Many adults start drawing with enthusiasm. They buy a set of paints or a sketchbook, watch a few videos and make two or three pictures. Then life gets busy, the materials stay in a drawer, and the habit never forms. The problem is rarely talent. It is usually the lack of a clear path, a regular rhythm and someone to look at what you made.
Free tutorials are scattered. One video shows gouache, the next shows charcoal, and none of them explains how to move from one skill to the next. You can copy a picture step by step and still not understand why the colours work or how to build a face from scratch. Without feedback, the same mistakes repeat for months.
This programme is built around those gaps. It combines a steady stream of new workshops, which keeps you drawing week after week, with structured courses that teach the foundations: construction, light and shadow, colour and composition. Every month brings different materials and subjects, so practice stays interesting.
You can follow the weekly workshops live as they are prepared for the season and the mood of the group, or work through the archive in your own time. Either way, you always have a next picture to make and a place to show it.
Skills you build across the year, depending on the courses and workshops you choose.
Build cubes, prisms and cylinders, then combine them into towers, churches and whole city scenes.
Tell warm and cool shades apart and find the colour you need with a limited set of paints.
Place the eyes, nose, mouth, ears and cheekbones using the skull and muscles as a guide.
Work in pencil, charcoal and sepia, acrylic and oil, each with its own approach to tone.
Arrange objects on the sheet and give them volume and material quality using oil pastel.
Rework one subject in cubism, impressionism, pop art, op art and other movements.
Use dots, lines, colour, texture and gesture to express a mood without depicting objects.
Capture balance, weight and proportion in standing, sitting and dancing poses.
Follow clear material lists for gouache, tempera, acrylic, watercolour, pastel and oil.
The workshops follow the seasons. One month might bring landscapes in oil pastel, the next animals in acrylic, then tea-time still lifes in coloured pencil or portraits in ink and watercolour. Participants choose the references, so the lessons reflect what the group actually wants to paint rather than a fixed list.
Each workshop comes with a clear list of what you need: paper format, brush numbers, the exact paint colours and tools. You can prepare in advance, and you never have to guess whether a material will suit the task. If you do not own a particular medium, many sessions are repeated in other materials, so you can swap in what you have.
The weekly rhythm matters more than any single lesson. Three workshops a week give you plenty of chances to pick up the pencil, and the accompanying chat keeps you in touch with other people who are working on the same picture at the same time.

You join for one year. During that time you can take part in the weekly workshops as they appear, browse the archive of recorded lessons from the past six years and work through the full courses at your own speed. There are no fixed exam dates, and you decide how many hours a week to spend.
Most lessons are video demonstrations: you watch the process, then paint along or after. Each lesson lists the materials and describes the task. When you finish a piece, you can submit it and receive feedback on that specific work, with comments on construction, tone, colour and composition.
A community chat is part of the access. It is a place to share finished pictures, ask about materials, and find people to practise with. Twelve themed contests run during the year, with prizes. Joining them is optional, but they give a reason to finish something you might have left half-done.
If you need a break, you can freeze your access for one month at no cost. The programme also includes extra lessons on creative practice and personal development.
The year includes the weekly workshops and the full courses below. Here is a selection of the courses, with their lessons.

Full access to the content for a year from payment.
New lessons every week with materials lists.
More than 1,000 lessons you can open any time.
From architectural drawing to oil portraits and calligraphy.
A multi-term course covering materials, colour, composition, anatomy and copying master works.
Comments on every piece you finish and submit.
Conversation with other learners for the whole year.
Optional challenges with prizes.
Freeze your access when life gets in the way.
After twelve months you will have a drawer full of finished pictures in many media, instead of a handful of abandoned attempts. You will know how to build a cube, a face or a still life from simple forms, and how to judge tone and colour by eye.
You will have tried pencil, charcoal, gouache, tempera, acrylic, watercolour, pastel and oil, so you can say which you enjoy and why. You will also know how to follow a painting from a photo, and how to compose your own subject.
Most importantly, drawing will be a habit. You will have a weekly rhythm, a circle of people to share work with and an archive to turn to whenever you want to learn a new subject.
It is up to you. A single workshop usually takes an evening, and three are published each week. Many learners pick one or two a week and work through other courses when they have time.
No. The foundation courses begin with simple forms, colour basics and facial structure. If you are more experienced, you can go straight to the portrait, abstraction or oil courses.
Each lesson lists the paper, pencils, paints and brushes it uses. You can buy materials gradually, starting with a pencil and an eraser for the first drawing lessons.
Once your payment is confirmed, you receive access to the lessons, courses and chat. Access lasts for twelve months from the date of purchase.
The lessons are video demonstrations with written task descriptions and material lists. You can watch them on a computer, tablet or phone, and pause or repeat any step.
Yes, for the whole access period. The archive and the courses stay open for twelve months, so you can return to any lesson as often as you like.
You can freeze your access for one month at no extra cost, and then continue where you left off.
Yes. If the programme does not suit you, you can ask for a full refund within 14 days of purchase.
Yes. You can submit the works you finish and receive comments on each of them, so you know what to improve next.
Pick up a pencil this week and join a community that paints together.